• Current
  • Works and lives in New York, NY
  • 1969
  • Born, Vancouver, Canada.

EDUCATION

  • 1992-1993
  • Institut des Hautes Etudes en Arts Plastiques, Paris France
  • 1987-1990
  • School of Fine Arts, University of Southern California, USA
  • 1985
  • Cleveland Institute of Fine Arts, Lacoste, France

SOLO EXHIBITIONS

  • 2010
  • Permanent Solo Installation, Beverly Wilshire, Los Angeles, CA
  • 2007
  • Cristinerose Gallery, New York, NY
  • Wade Wilson Art, Houston, TX
  • Ricardo Reyes Art, Mexico City, Mexico
  • 2006
  • Air Gallery, London, England
  • 2005
  • Galeria Arcaute Arte Contemporaneo, Monterrey Mexico
  • 2004
  • Chac Mool Gallery, Los Angeles, CA, USA
  • Clifford-Smith Gallery, Boston, MA, USA
  • 2003
  • Christopher Cutts Gallery, Toronto, Canada
  • 2002
  • The Box, Turin, Italy
  • 2001
  • Christopher Cutts Gallery, Toronto, Canada
  • Galleria Leyendecker, Santa Cruz de Tenerife, Spain
  • Chac Mool Gallery, Los Angeles, CA, USA
  • 2000
  • Cristinerose Gallery, New York, NY, USA
  • Christopher Cutts, Toronto, Canada
  • Kitchen Gallery, Seoul, Korea
  • Clifford-Smith Gallery, Boston, MA, USA
  • 1999
  • Christopher Cutts, Toronto, Canada
  • 1998
  • Cristinerose Gallery, New York, NY, USA
  • B&D Studio Contemporanea, Milan, Italy
  • 1997
  • Monte Clark Gallery, Vancouver, Canada
  • Christopher Cutts, Toronto, Canada
  • 1996
  • Cristinerose Gallery, New York, NY, USA
  • Monte Clark Gallery, Vancouver, Canada
  • 1995
  • Thomas Solomon's Garage, Los Angeles, CA, USA
  • Cristinerose Gallery, New York, NY, USA
  • 1993
  • James Corcoran Gallery, Santa Monica, CA, USA

GROUP EXHIBITIONS

  • 2013
  • Cheryl Hazan Contemporary Art, New York, NY
  • 2011
  • Cheryl Hazan Gallery, New York, NY
  • 2009
  • Cheryl Hazan Gallery, New York, NY
  • 2007
  • Permanent Installation, Ritz Carlton, New York, NY
  • 2005
  • Paint On Metal, Tucson Museum of Art, Tucson, AZ, USA
  • 2004
  • Paintings that Paint Themselves, Kresge Art Museum, Michigan State University, East Lansing, MI, USA
  • Stop & Stor: The New Painters, Luxe Projects, New York, NY, USA
  • Winter White, Clifford-Smith Gallery, Boston, MA, USA
  • 2003
  • Materiality II, Museum of Art, Wayne State University, Detroit, MI, USA
  • 2002
  • Tilt, Cristinerose Gallery, New York, NY, USA
  • 2001
  • Group show, Chac Mool Gallery, Los Angeles, CA, USA
  • Painting Beyond Painting, Cristinerose Gallery, New York, NY, USA
  • 2000
  • 2000 Anos Luz, Museo La Recova, Santa Cruz de Tenerife, Spain
  • 1999
  • Material Perception, LaSalle Partners, NationsBank Plaza, Charlotte, NC, USA, curated by Joyce Pomeroy Schwartz
  • 1997
  • Cristinerose Gallery, New York, NY, USA
  • 1996
  • Monte Clark Gallery, Vancouver, Canada
  • Class 1-207, curated by Natalie Rivera, New York, NY, USA
  • 1995
  • Monte Clark Gallery, Vancouver, Canada
  • 1994
  • Dianne Farris Gallery, Vancouver, Canada
  • A Perhaps Hand, Thomas Solomon's Garage, Los Angeles, CA, USA
  • Modus Operandi, Leonora Vega, New York, NY, USA

BIBLIOGRAPHY

  • 2005
  • Cate McQuaic, transporting their art past the merely lovely, The Boston Globe, April 9
  • 2004
  • Tom Garvey, Beauty is as Beauty does, South End News, April 8
  • 2003
  • Glen Mannisto, The Stuff of Art, Metro Times, April 23-29
  • Keri Guten Cohen, Artists are Inspired by the Material World, Detroit Free Press, April 13
  • 2001
  • Ana Martin, La Gaceta De Canarias, June 22nd
  • Pepe Torres, La Opinion De Tenerife, June 22nd
  • Luisa Pedros, Diario de Avisos, June 22nd
  • 2000
  • Ken Johnson, The New York Times, June 2nd
  • Karen Rosenberg, Flash Art, Summer, pg. 49
  • Scott Reuscher, Colorful Young Abstraction, ArtsEditor, Boston
  • Mark Valentine, Creating Art a Layer at a Time, South End News, Feb 24
  • 1997
  • Jonathan Goodman, Art in America, June
  • Michael Scott, Color him original, The Weekend Sun, June 21
  • Natalie Rivera, Zing, Summer, p. 305
  • 1996
  • Demetrio Paparoni, The Motivations of Young Redefined Abstraction, Tema Celeste, Fall
  • Michael Scott, Hybrid Art Form Raises Questions About Nature, The Weekend Sun, June 8
  • 1995
  • Susan Kandel, Exploring Border Between Attraction and Repulsion, Los Angeles Times, December 1
  • 1994
  • Kim Levin, Modus Operandi; The Village Voice, August 2, pg. 72